I'm taking a little nap from the site for a while. Back in May, 2021, unless I catch too many mice in my dreams. What I'm doing, in reality, is editing and writing and editing and writing and editing and writing ... I'll be back ...
In a professional sense, this time. Something I've noticed recently is the lack of professional attitude in story characters. It's disappointing, even if I understand how much work goes into the story. The character can't be identifiable by a reader as a fraud, out of place/time, or using the wrong objects/words. A priest doesn't walk … Continue reading Being True to Character
When I mentioned I'd be doing a post a week (should've said once a month), I thought it wouldn't take much extra effort around all the other stuff and the new course and the two new series (or serials - not sure yet). What I didn't count on was the extra workload that comes from … Continue reading Missed the Starter’s Gun
Sorry, the Morning ritual. It's the time of day when the sun don't shine, the eyes don't open, the coffee is floating an aroma around the house. Two minutes. Then it will be coffee in hand, eyes open, bum on seat. Then I remember all the other stuff that happens without brain engagement. It's the … Continue reading The Moaning Ritual
Otherwise known as Setting. It's one of the [many] things I struggle with. The basics of an opening to a story needs to make clear the Who is Where and When, Why they're there (maybe just a hint), and What they're doing. This post is about the Where and When of a story. The place … Continue reading Place and Time
It's that old conundrum of show versus tell. Every story has summary, every story has immediacy, but they don't usually end up in the same paragraph. There are reasons for that. A tell is summarising something, a conclusion made, or an unmoving description (static, unattached to a character). There are several ways to tell. Summarising … Continue reading Summary Tell, or Interactive Show?
What -- you do it first? I don't, and there's a reason for that. It's not that I do things back to front, at least not from my perspective. The start is the beat sheets, one for each character in the story, but the main two characters (usually the main character/protagonist and the antagonist) get … Continue reading And Then There was the … Synopsis
The writerly term is talking heads syndrome. What does it mean? Dialogue happens, but there's nothing there, no sense of the where for setting, nor grounding of context or situation. Dialogue can be great, but if there's no world setting, no place for it to happen, the mouthpieces can be set on a piece of … Continue reading Chit, Chat without Context
For all of us, eventually, it's where we go after 'the end' but that's not the plot I want to talk about here. Plot in a story is about the events that lead from one to the next until 'the end' for the snippet of this [main] character's life. If the events don't lead from … Continue reading What’s a Plot?
For the last few weeks, this is what you've been getting. You get it because I've been chopped up (shoulder surgery) and then put back together (I hope) and need some time to heal and get mobility back on board. It's a slow process, especially with both shoulders now on the road. So, in the … Continue reading Four Times, Yes