for a quick-bite post. Looked up all the places I usually go for a bit of a gnaw of meaty inspiration. Fandango has FOWC (but I hate the word ravish -- do people understand the full implications of that word and it's associations? It's one of those words with two meanings at polar opposites:To ravish … Continue reading Looking, Looking, Looking
It's that old conundrum of show versus tell. Every story has summary, every story has immediacy, but they don't usually end up in the same paragraph. There are reasons for that. A tell is summarising something, a conclusion made, or an unmoving description (static, unattached to a character). There are several ways to tell. Summarising … Continue reading Summary Tell, or Interactive Show?
What -- you do it first? I don't, and there's a reason for that. It's not that I do things back to front, at least not from my perspective. The start is the beat sheets, one for each character in the story, but the main two characters (usually the main character/protagonist and the antagonist) get … Continue reading And Then There was the … Synopsis
(for Fandango's FOWC Lucky). Lucky Be, Lucky Rain pattered on the glass. Lucky held his ear to the pane and smiled. “What does it have to say?” Rona asked as she tidied the kitchen. “It says it’s going to rain today, that the plants will be watered, that the river will flow, that the dust … Continue reading Lucky Be, Lucky
Remember the story process posts (combined post here)? Well, that was just the start! What happens next? The next level down for a story plan (yes, it's a real plan, but not a synopsis or outline -- this is a process, my process): Scene Outlines What is a scene outline? This is a bit like … Continue reading What comes after?
Or POV, as we more often say. This is a story, a personal rendition of how I learned how to understand POV. It's told from my perspective, so it's in First Person POV. No, I'm not going to talk about tenses. That's a different matter altogether, and POV is tough enough to get right without … Continue reading It’s All In The Point of View
The writerly term is talking heads syndrome. What does it mean? Dialogue happens, but there's nothing there, no sense of the where for setting, nor grounding of context or situation. Dialogue can be great, but if there's no world setting, no place for it to happen, the mouthpieces can be set on a piece of … Continue reading Chit, Chat without Context
For all of us, eventually, it's where we go after 'the end' but that's not the plot I want to talk about here. Plot in a story is about the events that lead from one to the next until 'the end' for the snippet of this [main] character's life. If the events don't lead from … Continue reading What’s a Plot?
The new story is up on pre-order, and I tried to take all the advice for making it easy on the reader. I'm not talking only the words that make up the story -- there's a ton of other stuff. For example, I put the blurb/description as part of the eBook these days. This is … Continue reading Make it Easy on the Reader
Did you see the new addition off to the right? Yes, I finished another project. I'll say the genre is Dark Urban Fantasy with touches of metaphysical and horror, but the latter two are there as an indication, not a notice of classic witchcraft or slasher horror. The story is scary, it goes places Dante … Continue reading A New Story in The Month that was, Even While in the Middle of it!