On, and on, and on, and on, and …

Until we’re both so knackered we don’t want to look at another thing that even looks like the words of story.

What this means is that the stage of collaboration is creating the waves we wanted, the extra work we didn’t want, and that time was wasted on injuries and other unimportant stuff – but now we are near to the end. A bit late, but that’s life.

This is the first time we (Shannon Hunter & Cage Dunn) have collaborated on a project together, and it has been both exhilarating and frustrating. The ideas burn bright, the extra oomph and presence is obvious, but the meshing of two to make it look like one – that’s tough.

Even tougher is the fact that one of us [moi, in fact] managed to do an injury that kept the seat off the bum – and that’s slowed things down a bit. But the deadline we set is our own deadline, so we have now adapted it. And we have reached the stage of initial editing – of which we disagree about the process. So, what to do?

Negotiate, that’s what. Shan will do the first edit for the big picture things – the story arc, the plot arc, the character arc (including the baddy), and I will do the middle picture things – the paras and how they flow, the sentences and what they play like (think music and rhythm), the set up, response and resolution/lead in for each section, para and sentence.

But do I start at the same time as Shan? or do I wait? If I wait, will I re-read what she’s done, or will I simply trust and go ahead with my role?

It’s difficult, but this is when all that training in workplace teams and management come in handy. Allocate, trust, continue. Check before the next stage.

Yes, we’re doing it in stages because that allows the person who didn’t do a section to be able to see the possible conflicts better than the person who is too close to the work.

Trust. The big issue – whose story is it anyway? We know the answer to this one, because we did the idea through to concept/premise, all the beat-sheets (for protag and antag) and chain of events scenarios, we did the character profiles and arc strategies – we did them all together, both heads over the hot stove of creation. So neither of us ‘owns’ the right to say ‘mine’ and we both own the right to say ‘ours’.

No arguments there. And we both know that to do the job to the best of our abilities, we have to allow the issue of the other person advising of potential issues. We have to think of it like a small business, which involves not only trust, but an open mind, acceptance of criticism (when it works to the good of the business) and schedules [ooooohhhhh, that timeline thing again].

Then on to the final stage: the small picture things, the use of words, the spelling and grammar and line-by-line edits.

Next time will be easier for both of us [where is that bit of wood?].

Anyway, long story short: Equine Neophyte of the Blood Desert is undergoing a more protracted editing phase than anticipated, and due to some silly person doing speccies over the lounge while watching women’s football of telly, we’re late.

C’est la vie!

Now, back to work.



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